This recorder will also work well with our PA6 hydrophone preamp. We recommend the H2dX for best connection integrity and highest dynamic range. Hydrophone compatibility: Use with any of our H2 hydrophones. Sound from the external microphone (hydrophone) inputs can be monitored even while not recording-allowing it to be used as a high-quality mic preamp when not recording. The headphone / line output can be connected to the AUX input of your marine stereo or PA system. Digital controls and accurate 40-segment VU meters allow for precise repeatable recording sessions. You'll feel the solid build quality and be impressed with the options offered by this compact PCM recorder. This is an improved version of the classic H4n, featuring lower-noise (-120dBu EIN) microphone preamps, as well as an ergonomic body and built-in high-dynamic-range microphones. Timecode input or output is also supported on some competing recorders and it would have been nice to see it included on the H4n Pro.The Zoom H4n Pro offers an entry-level professional recorder with true 4-channel input capability. Some Tascam models can be mounted to the base of your camera – something the H4n Pro can’t do easily. Recorders like the Tascam DR 70D and DR701D and the Zoom H5, H6 and F8 offer plenty of features at relatively low cost. Tascam and Zoom both have extensive ranges. Nowadays there are plenty of other recorders at the lower end of the audio recorder market. When the original H4n came out there were relatively few choices for affordable audio recording with XLRs. The body has a new rubberised finish and an improved 1.9 inch backlit display – although just how these are better than the previous model is unclear. It can also function as a 2-input/2-output USB audio interface for PC or Mac. The headphone jack can also double as a line output for sending audio directly to your camera as a scratch track, or if you want to simply use the Zoom as a pre-amp and record sound in your camera. The XLR connections are now locking – another problem point with the earlier models. The pre-amps (which were always a weakness of the earlier versions) are said to be more natural sounding and cleaner. By rotating the mic capsules you can change the X/Y mic pattern from a 90 degree angle for a tightly focused stereo image, to 120 degrees for a wider image.Īccording to Zoom the H4n is much improved under the hood. It can record four audio tracks at up to 24/96 resolution. Like its predecessor it also has onboard X/Y Mics as well as two XLR/TRS inputs. It has the same hand holdable form factor and a similar layout. At first glance you can mistake it for its predecessor. Today Zoom have announced the latest version, the H4n Pro. These days more and more cameras have proper XLR connections and improved audio capabilities, but many factual shooters still like to use dual system external audio – either for better audio quality or as a backup. The handy recorder gained incredible popularity with video shooters trying to do dual system sound. The most widely used audio recorder by DSLR filmmakers is without doubt the Zoom H4n.
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